Get to Know Rosa Singerman, a Rising Lead in Vertical Dramas

Before becoming a regular lead in vertical dramas, Rosa Singerman was building her path through training and early roles. Now, she continues to grow her career across different projects and genres.

Rosa Singerman’s path into vertical dramas came together quickly, but it was built on years of training, movement between countries, and a clear focus on acting from an early age.

Growing Up Between Germany and the U.S.

Singerman, who is American, was born into a military family and spent much of her early life in Germany before moving to the United States at 12.

“I was actually born and raised in Germany for more than half my life… I grew up completely as a German kid,” she shared during a recent interview.

Adjusting to life in the U.S. was a shift, from school to social life. Over time, that experience helped shape how she connects with people—something she says carries into her acting.

“All that moving around… definitely helped me… understand people,” she said.

Training and Early Career

Since she was six, Singerman had always wanted to be an actress and was obsessed with movies. She pursued acting seriously after high school, eventually studying at the University of Southern California, where she trained in acting while majoring in business.

She continued building her skills through studio training and on-set experience, developing a foundation she still draws on in auditions and performances.

Her early work includes short films and genre projects, including “Dracula’s Daughter Too,” where she took on a supernatural role, something she has said aligns with her interest in fantasy and genre storytelling.

Breaking Into Vertical Dramas

Her entry into vertical dramas came through a recommendation from a friend and led to an immediate opportunity. She recalled:

That first experience introduced her to the fast-paced nature of the format.

“It was like a professional set… but a lot more fast-paced… you had to memorize very quickly,” she said.

From there, she continued to build a steady presence in vertical dramas, taking on a growing number of lead roles.

Building a Career in Vertical Dramas

Singerman has since appeared in multiple vertical series, including “Don’t Challenge the Lady Billionaire,” “Kidnapped by the Mafia,” “Fired, Framed and Fierce,” “Blood and Bones of the Disowned Daughter,” “The Cooking Queen: A Recipe for Divorce,” and “My Stepbrother is My Secret Rider.”

Across these projects, she has taken on a range of roles, from CEOs and high-powered leads to characters dealing with more emotional or dramatic storylines.

Early in her vertical career, she was often cast in strong, high-status roles, but she has since worked to expand into a wider range of characters and genres.

Her Approach to Acting

When building a character, Singerman focuses on understanding what drives them.

“I start with their wants, their needs, what they’re scared of,” she explained.

She uses those details to shape how a character expresses emotion, whether that means holding things back or being more outwardly expressive, depending on the role.

Interests Beyond Drama Roles

she said, pointing to her interest in roles that involve supernatural or imaginative elements.

She has also explored more stylized roles in vertical projects, including characters with supernatural abilities or heightened storylines.

Where She Is Now

Singerman’s career in vertical dramas has grown quickly. At one point, she noted that she had already taken on more than 20 lead roles, reflecting how active she has been in the space.

As the format continues to expand, she remains part of that growth, taking on new projects while building on the foundation she developed through training and early work.